This Floating Poo Was Far Too Meaningful! It's the Television Letdowns of the Year.
Looking back, we reflect on the television landscape of the past year, a handful of shows emerge not for their brilliance, but for their spectacular failures. From cringe-inducing spin-offs to bafflingly poor documentaries, here are the productions that had us scratching our heads or just reaching for the remote.
The 'Sex and the City' Sequel
Where to begin with this divisive follow-up? Plagued with dreadful scripts, cringe-inducing character development (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series struggled to justify its existence. For a moment, as the final season began, it looked like it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the last series. It concluded on a low point; the lingering shot of Miranda’s loo flooded with poo was simply too symbolic. Yet, fans undeniably had a hoot picking apart every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t release a small sob?
All’s Fair
‘Is Kim Kardashian an actress? Of course she can’t.’
But that was practically the least of this drama's problems. The recipient of a exceedingly uncommon no-star review, it was hard to know where to start listing the problems. The hilariously leaden writing? The mind-numbing veneration of affluence and consumption? The almost deliberate procession of cliches? Acting so bad they felt borderline spiteful? Suffice it to say “each and every one” and forget about this show again. However, a new season has been ordered, so we’re probably going to have to.
The Charlie Sheen Documentary
Considering the legal troubles, abuse claims and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d really have gleaned it from this three-part documentary which smirked its way at Sheen’s various episodes of reckless excess while failing to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any pity this show might evoke should be reserved for the people who have had to endure close contact with this charming but flippant egotist.
The Supercomputer Drama
Of course we understood it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of pure admiration for its leads … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.
The Gangster Drama
Dodgy figures convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.
In truth, that is unfair on the gangland dramas of the late 90s. Many seem a little old-fashioned now, but at least they didn’t endure the embarrassment of having to accommodate baffling accents. But there were plenty of other problems. Mainly that it was just profoundly dull; a dispute over narcotics territory between various cockney picaresques which seemed a bit basic.
With Love, Meghan
Considering the degree to which she grinds the gears of certain performatively enraged commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various forays into twee lifestyle as intentional statements. But then you view them and are compelled to admit that in this case, they may have a point. It’s like watching a homeware magazine come to life; a poster for evening drinks with delusions of grandeur; a parade of sleeping dogs, humming beehives, Hallmark sayings and forgettable crafting “tips” you’ll forget instantly. All supported by immense, largely undeserved wealth. Ugh.
The Beckham Documentary
There are obviously interesting things to be said about regarding Victoria Beckham and her struggles with vocation, self-image, self-worth. But for some reason, this three-part series opted not to explore them. Rather, the viewing was akin to consuming a sales catalogue. She obviously has good reason to bridle at what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this cagey non-event of a series.
The Inheritance
It should have been the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality overseeing her estate. What more could you want? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s even now too complicated to detail what exactly was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up reeking of a programme that was trying way too hard to emulate something far greater than it.
The Lena Dunham Romcom
How do you follow a show that captured a generation? The expectation was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The star seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very slick and, paradoxically, was insufficient. Plus, the abundance of famous friends involved felt uncomfortable.
Mitchell & Webb Are Not Helping
Not even good enough to be ‘uneven’.
Given the shrewd inclusion of talented younger comics, expectations were high. But unhappily, most of it fell flat. A particular sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a familiar irate mode. The writing room sketches, meanwhile, simply provoked the idea that they should probably have stayed in there a while longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated with care. Instead, the series struggled painfully to find the right tone, lurching from oddly breezy, slightly mannered farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Very much so.
Prime Target
We admire the star … but did we buy him playing the greatest maths genius since, a man so smart he’s on the brink of a breakthrough that could destabilise society? No! This international thriller about government agencies spying on – and killing off – intellectuals frankly got more farcical by the second. Silliness-by-numbers.
1000 Men and Me: The Bonnie Blue Story
This uncritical portrait followed the online personality notorious for explicit exploits as she undertook her biggest challenge yet. What on earth would possess her? What we wanted was far greater examination of her true psychology, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to drag her son out of the queue. What we got was disturbing imagery and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.